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Planning the Low-Budget Film, by Robert Latham Brown
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Finalist, 2007 Benjamin Franklin Awards, for Best New Voice Nonfiction and Professional/Technical Novice and aspiring filmmakers seeking to learn how to develop a feature film will find a step-by-step blueprint in this guide. Drawing upon the more than 30-years experience of an industry professional, the book examines how to identify and break down shooting sequences in scripts, scout locations, create a production board and shooting schedule, deal with unions, budget a film, and rebound when it all goes wrong. Along the way, readers learn how to economize to get the most value from limited funds and what to look for in a prospective crew. To facilitate an understanding of the concepts, a real-life example of a complete budget and production board for an independent low-budget feature film, The Anarchist Cookbook, is provided. The guide’s concise list of contactsfilm commissions in all 50 states, Canada, Mexico, Australia, and England; payroll companies; and vendors of suppliesalong with a directory of unions and guides will simplify sourcing. Other supplementary aids include a complete glossary of industry terms, a list of all safety bulletins issued by the Industry Wide Labor/Management Safety committee, and a comprehensive index.
- Sales Rank: #1152129 in Books
- Published on: 2007-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.08" w x 6.00" l, 1.29 pounds
- Binding: Paperback
- 432 pages
Review
"On all the movies [Bob Brown] worked on with me, he never failed to bring a film in on time and on budget. This book is a must read for anybody who is even thinking of producing a film!" —Mel Brooks
"This comprehensive book . . . can apply to films of any sized budget. I wish all film schools used it." —Gary Martin, president of production, Columbia/Tristar Motion Picture Group
"You will make a better movie for less money using this book . . . the ultimate guide to budgeting and scheduling the low-budget movie." —Bruce Block, producer, Father of the Bride, Something's Gotta Give, and What Women Want
"An invaluable resource for anyone who wants to make a movie; essential for students and professionals alike." —Brenda Goodman, senior lecturer and head of the production track at the University of Southern California School of Cinema-Television.
About the Author
Robert Latham Brown teaches production planning at the University of Southern California School of Cinema-Television. His credits include producer, line producer, production manager, and second-unit director on films such as The Anarchist Cookbook; Child's Play; Child's Play 2: Chucky's Back; Child's Play 3: Look Who's Stalking; Indiana Jones and the Temple of Doom; Local Color; Robin Hood: Men in Tights; S.W.A.T.; and Star Wars: Return of the Jedi. He lives in Los Angeles.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Planning the Low-Budget Film
By Patrick Adderson
I have been associated with the film business for the last 20 plus years, and have not read a book that addresses the real world of Low-Budget film making as well as Robert L. Brown has captured. His book should be cumpulsory reading for every film student, and those who would like to understand the nuts and bolts of the business. Mr. Brown has managed to make his book entertaining while being informative. (Not an easy job when talking budgets etc.).
Mr. Brown's years of experience in being one of the industries most respected producers has culminated in an interesting short-cut to understanding and Planning the Low-Budget Film process. Job well done... Patrick W.Adderson.
2 of 2 people found the following review helpful.
Useful Guide to Film Budgeting
By Leo Vincey
I am enjoying Robert Latham Brown's Planning the Low-Budget Film. The first half introduces one to basic considerations in budgeting and scheduling a movie, with many anecdotes taken from Brown's experiences making movies for a variety of studios over the last thirty years. The second half is a virtual encyclopedia of film-making, organized according to the budget's chart of accounts. Brown educates the reader about each account, about the considerations involving that expense, in order to project how much money needs to be budgeted for it. A film production manager's job involves interfacing with so many aspects of the world that there is a lot to learn about reality from Brown's anecdotes and discussion of each budget account. He does not appear to hold anything back and is generous with his hard-won experience. For example, in a section titled Lindsley's Method in chapter 22 he shares a method he personally learned for tracking the film's progress - is it ahead of schedule or behind schedule? The book is suitable for film students, but should gradually find its way onto the desks, where it is close at hand, of every film production manager.
2 of 2 people found the following review helpful.
entertaining description of how to make a low-budget movie
By Clayton E. Cramer
This is an entertaining discussion of how to prepare a budget for making a low-budget (less than $2 million) movie by a producer with experience making low-budget and high budget films going back decades. If you are making a student film, this is a lot more detail than you'll probably need. If you are looking at making a real movie, something that isn't three of you with a nice camera, this is the book you need.
My only regret is that I ordered the Kindle edition, instead of the paperback. There are a number of places where the paperback would actually be preferable because of the examples in the back.
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