Sabtu, 28 Mei 2011

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Each chapter is divided into seven parts: "Objectives," "Terms You Should Know," "Key Points," "Seeing the System" (questions related to tables and drawings presented in the text), "Application and Synthesis" (open-ended activities, discussions, and debate questions), "Rapid Review Questions," and "Case Study."

  • Sales Rank: #5787561 in Books
  • Brand: Brand: Houghton Mifflin Company
  • Published on: 2002-06-05
  • Original language: English
  • Number of items: 2
  • Dimensions: 11.00" h x 8.75" w x .50" l,
  • Binding: Paperback
  • 235 pages
Features
  • Used Book in Good Condition

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Minggu, 22 Mei 2011

[H747.Ebook] Ebook We Are What We Eat: Ethnic Food and the Making of Americans, by Donna R. Gabaccia

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We Are What We Eat: Ethnic Food and the Making of Americans, by Donna R. Gabaccia

Ghulam Bombaywala sells bagels in Houston. Demetrios dishes up pizza in Connecticut. The Wangs serve tacos in Los Angeles. How ethnicity has influenced American eating habits--and thus, the make-up and direction of the American cultural mainstream--is the story told in We Are What We Eat. It is a complex tale of ethnic mingling and borrowing, of entrepreneurship and connoisseurship, of food as a social and political symbol and weapon--and a thoroughly entertaining history of our culinary tradition of multiculturalism.

The story of successive generations of Americans experimenting with their new neighbors' foods highlights the marketplace as an important arena for defining and expressing ethnic identities and relationships. We Are What We Eat follows the fortunes of dozens of enterprising immigrant cooks and grocers, street hawkers and restaurateurs who have cultivated and changed the tastes of native-born Americans from the seventeenth century to the present. It also tells of the mass corporate production of foods like spaghetti, bagels, corn chips, and salsa, obliterating their ethnic identities. The book draws a surprisingly peaceful picture of American ethnic relations, in which "Americanized" foods like Spaghetti-Os happily coexist with painstakingly pure ethnic dishes and creative hybrids.

Donna Gabaccia invites us to consider: If we are what we eat, who are we? Americans' multi-ethnic eating is a constant reminder of how widespread, and mutually enjoyable, ethnic interaction has sometimes been in the United States. Amid our wrangling over immigration and tribal differences, it reveals that on a basic level, in the way we sustain life and seek pleasure, we are all multicultural.

  • Sales Rank: #439434 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2000-04-17
  • Released on: 2000-02-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.70" l, .80 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Donna R. Gabaccia, a professor of American history, explores how ethnicity has influenced the eating habits of Americans and determines that America is "not a multi-ethnic nation, but a nation of multi-ethnics." Can a country that eats bagel dogs and Thai chicken pizza still find ways to preserve the "original" foods of its immigrants? Is this even a worthwhile task, if the immigrants themselves are eager to assimilate into the larger culture, and the food industry is just as eager to co-opt (and, Gabaccia notes, water down) their native cuisine? Through case studies and anecdotal accounts, Gabaccia takes a look at the state of American cuisine and the curious culinary situation that allows SpaghettiOs to remain a venerable lunchtime standard at the same time that many restaurants strive to produce an "authentic" Milanese risotto.

From Library Journal
How did enclaves of immigrants obtain the foods to which they were accustomed in their new homes in America? How did pasta, tacos, and bagels move from ethnic fare to popular American foods? These are the types of questions Gabaccia (American history, Univ. of North Carolina at Charlotte) addresses in this well-researched and thoroughly documented volume. Through case studies and anecdotal records she traces the way immigrant groups, from Colonial times to the present, maintained their culinary identity in spite of efforts to Americanize them. Concurrently, entrepreneurs succeeded in mainstreaming many of these same ethnic foods into American households and culture. Gabaccia concludes that we are "not a multi-ethnic nation, but a nation of multi-ethnics." For culinary history and social history collections. (Index not seen.)ASherry Feintuch, East Shore Lib., Harrisburg, PA
Copyright 1998 Reed Business Information, Inc.

Review
Plenty of thought-provoking and probably little-known details are presented along the way [in We Are What We Eat]...Gabaccia has a lightness of style, but this should not beguile readers into thinking that this is just a pleasing story-book with vivid illustrations. It is a skillfully written professional history imbued with a social anthropological sensibility. I wish that more British social anthropologists (and sociologists) in this field would trouble themselves to return the compliment by paying such diligent attention to social history. Gabaccia not only embraces the anthropological insight that human beings bestow meaning on food, making it not just good to eat but also good to communicate with, but goes on to grasp the other side of the anthropological debate, which requires detailed analysis of the material and economic circumstances that bring people and food together to allow communicative meanings to be created. But more than this, Gabaccia recognizes that understanding eating habits requires not just one but several histories: of recurring human migrations, of agriculture, of (big) business and of consumption. This intellectual attitude and methodological grip on the study of food and eating is the book's great strength. (Anne Murcott Nature)

Today's multiethnic American diet offers intriguing insight into the character of the nation, the subject of Donna Gabaccia's We Are What We Eat...Rigorously annotated and dense with detail, Gabaccia's writing nevertheless evokes knee-buckled puritans and buckskin-clad settlers, sunbonnets and babushkas, and the clamor of street markets at the turn of the century. Drawing from early American cookbooks and immigrant journals, Gabaccia unravels the nation's earliest 'regional creoles,' dishes combining cultivated ingredients with indigenous plants, game and seafood, enriched by the foodstuffs of Native American traders...Gabaccia explores the journey of these ethnic foods from pushcarts to the national marketplace and how--despite the homogenizing effects of industrialized canning, milling and meatpacking--ethnic cuisines have retained their essential and often ritualized role in American life. (Linda Temple USA Today)

Donna Gabaccia...has assembled an impressive piece of research and writing about [eating]. We Are What We Eat...takes the immigrant metaphor of America--whether it be a melting pot or a tossed salad--and brings it to the dinner table...It's a fascinating trip through everything from the history of Fritos corn chips to the wild rice traditions of American Indians in Minnesota to the rise of ethnic grocery chains in New York City...She sees the popularity of ethnic food as nothing less than a chance to bring together disparate folk--and create a nation of eaters who, through their dining experiences, manage to get along. (Ted Anthony Associated Press)

In this academic, yet readable--even entertaining--work, Ms. Gabaccia explores how ethnicity has influenced American eating habits...She answers why every town in America ended up with a Chinese restaurant, how sacred Italian pasta morphed into Spaghetti-Os and why burritos are filled with everything from beans to bok choy...We Are What We Eat is a unique approach to this country's melting pot, and demonstrates the multicultural side of all Americans. (Forward)

[A] fascinating guided tour of American foodstuffs...Gabaccia pursues the oscillations of 20th-century taste from the bland mass-market fare of Middle America to the revived interest in ethnic cuisine, particularly in phosphorically powerful pepper sauces. Stressing the 'extraordinary diversity' which runs in tandem with 'homogeneous, processed, mass-produced foods,' she insists that America is 'not a multi-ethnic nation, but a nation of multi-ethnics. (Christopher Hirst The Independent)

Donna R. Gabaccia serves up an intriguing appetizer on the growing menu of food history...The book raises intriguing and important questions regarding the cultural meaning of food and the significance of foodways in social change. (Susan Levine Journal of American History)

How did enclaves of immigrants obtain the foods to which they were accustomed in their new homes in America? How did pasta, tacos, and bagels move from ethnic fare to popular American foods? These are the types of questions Gabaccia addresses in this well-researched and thoroughly documented volume. Through case studies and anecdotal records she traces the way immigrant groups, from Colonial times to the present, maintained their culinary identity in spite of efforts to Americanize them. Concurrently, entrepreneurs succeeded in mainstreaming many of these same ethnic foods into American households and culture. Gabaccia concludes that we are 'not a multi-ethnic nation, but a nation of multi-ethnics.' (Sherry Feintuch Library Journal)

Most helpful customer reviews

14 of 15 people found the following review helpful.
Eat, think, and be American
By A Customer
The author of this intriguing treatise examines the evolution of our national identity through the foods Americans have chosen to eat from colonial times to the present. Beginning with the first confluence of diverse European, Native American, and African cuisines in the New World, she shows how ethnic foods gradually transformed American eating habits even as the food itself was altered to meet the demands of an ever-changing nation; indeed, our sense of what it means to be an American has been inextricably linked over the centuries to our dietary habits and preferences. Along the way, the author reveals the fascinating history of many familiar food products and name brands that played surprisingly large roles in shaping our national identity. This well-written and informative volume provides a fresh and insightful perspective on American history.

9 of 16 people found the following review helpful.
It doesn't paint a complete picture
By Matthew M. Yau
I picked up this book in hope of mitigating the intensity of reading back-to-back some very tenacious literature and historical fiction. It was a miscalculation. We Are What We Eat, though interesting in the premise, is nothing but a harangue of facts and data. Some cheese were 80 cents to $1.60 a pound. Some 60,000 people in the industry in 1910 produced some 50 million gallons of wine in California. Nationwide, consumers of inexpensive meals spend $29 million in small mom-and-pop restaurants and $23 billion in fast food chains. New Yorkers tend to patronize less on fast food because family values are emphasized more. The facts go on and on.
The book is a tantalizing (well, it really tires) treatise that examines the evolution and identity of our nation through the ethnically diverse food/cuisines Americans intake from colonial periods to the present. The account begins with the "first Americans", namely the first peoples on the continent: the Native Americans, European-Americans, and African Americans. The subgroups of the European Americans formed some of the major food manufacturers and grocery chains that influentially set the so-called American eating-habits (often too ashamed to be known as American cuisine). From there, the book is a tale of mixing and borrowing and intermingling within the recipes and tastes of different cultural groups, between entrepreneurship and connoisseurship.
The book certainly aims higher than it actually manages. While the author substantially focuses on the origins and thus the fortunes of the enterprising immigrant cooks and grocers, the book fails to discuss and pinpoint the crossing between food and culture. Such deficiency is especially salient in the chapter titled "Nouvelle Creole", in which the Asian influence of dining was mentioned in passing over two pages. The establishment of Benihana (which I do not consider an authentic Japanese restaurant) was mentioned and nothing specific from Chinese cooking was discussed at all. And what about Malaysian cuisine that shaped the dining industry in New York? And the Puerto Rican?
The bottomline of the book is really the acceptance or rejection of ethnic foods in America, instead of an objective, fine-balanced, and compendious account on the impact food has on the American culture. While the book discusses in gush details some of the major (especially the well-known ones from the East Coast) food products and brand names that shape the national identity, it completely ignores the minority cuisines and tastes. 2.5 stars.

12 of 16 people found the following review helpful.
Not very substantial
By Amazon Customer
This book is a moderately interesting discussion of the role ehtnic cuisine has played in the United States through history. I had expected a more focused discussion of specific foods and ethnicities and wider exploration of the interplay between food and culture. This book just doesn't have the depth I had hoped for. The books main focus is on the acceptance or lack thereof of ethnic foods in America. It doesn't explore the impact food has on culture very thoroughly.

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Rabu, 11 Mei 2011

[I144.Ebook] Free PDF Greatest Loveless Knife Designs: Discover the Best Knife Patterns & Blade Designs from Bob Loveless

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Minggu, 08 Mei 2011

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Making it in the clan world: A book by Tonitoni, by Toni Vucic

Making it in the clan world: A book by Tonitoni, by Toni Vucic



Making it in the clan world: A book by Tonitoni, by Toni Vucic

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Making it in the clan world: A book by Tonitoni, by Toni Vucic

Tonitoni, the creator of The Robloxian Army brings you the ultimate guide to creating, growing and leading your clan to succes.

Some of the things included:
- How to get money for your clan
- Setting up a clan with a unified theme and goal
- Getting members
- Making the right decisions
- Waging wars
- Achieving greatness and what it takes
- Exclusive tips from leaders like ColourTheory, SilentSwords and SONICTHEHEDGEHOGXX
- Exclusive graph to help you create an original clan name with ease
- In-depth Q&A in case you run into problems
And much, much more.

Example from the book: http://imgur.com/a/OT03d

  • Sales Rank: #388350 in eBooks
  • Published on: 2015-06-05
  • Released on: 2015-06-05
  • Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Pretty good
By RandomPerson
I thought it was pretty good and showed me how I can be a better clan leader. I really liked the middle where it was like a checklist more than a tutorial. The list of clients at the end was VERY helpful. I don't feel it was worth $5 but I thought it was a good read.

1 of 1 people found the following review helpful.
Excellent
By 001
This was a great book not only to guide new group makers but also group leaders who might have leaded the group for a long time, knowledge is the key to everything.

0 of 0 people found the following review helpful.
Excellent book!
By Jack K.
Excellent book. Very well written, clear, and informative. I would love to use this to make my own clan. Love it!

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Jumat, 06 Mei 2011

[A637.Ebook] Fee Download Social Class in Modern Britain, by Gordon Marshall, David Rose, Howard Newby, Carolyn Vogler

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Social Class in Modern Britain, by Gordon Marshall, David Rose, Howard Newby, Carolyn Vogler

Social Class in Modern Britain, by Gordon Marshall, David Rose, Howard Newby, Carolyn Vogler



Social Class in Modern Britain, by Gordon Marshall, David Rose, Howard Newby, Carolyn Vogler

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Social Class in Modern Britain, by Gordon Marshall, David Rose, Howard Newby, Carolyn Vogler

This volume provides a comparison of class frameworks (Marxist, sociological and official) that can be applied to empirical data about inequality and conflict in contemporary Britain. It draws upon an extensive national survey and is part of a project on social class and class consciousness. Alongside the British research, similar studies being undertaken in North America, Europe and Australia will provide a set of comparable analyses. The book addresses the key concepts of gender and class. Other important topics include sectionalism among the workforce, privatism of families and individuals, fatalism, sectoral production and consumption cleavages.

  • Sales Rank: #16385445 in Books
  • Published on: 1989-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.25" w x 1.00" l,
  • Binding: Paperback
  • 336 pages

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Rabu, 04 Mei 2011

[X398.Ebook] Get Free Ebook Julian SchnabelFrom Brand: Skira

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Julian SchnabelFrom Brand: Skira

Julian Schnabel (b. 1951) is regarded throughout the world as one of the most important artists of our time. He burst onto the neo-expressionist art scene of the early 1980s with huge, arresting paintings on collaged shards of smashed plates, but is probably best known today as a successful filmmaker. His works combine oil painting and collage techniques, classical pictorial elements inspired by historical art, and neo-expressionist features. This volume provides a precise account of Julian Schnabel's artistic output over the last thirty years, describing the personality of a metamorphic and unpredictable artist and his bold, somewhat confrontational style reminiscent of the energy and daring of Picasso and Pollock. From the broken-plate paintings that brought him fame, to the recent, massively scaled Big Girls series, the artist's work is set in the context of his overall sensibility, becoming part of an ongoing pictorial diary of a life.

  • Sales Rank: #2261184 in Books
  • Brand: Brand: Skira
  • Published on: 2009-03-10
  • Released on: 2009-03-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.23" h x 1.50" w x 8.85" l, 5.62 pounds
  • Binding: Hardcover
  • 432 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Before he became known globally for his work as a filmmaker (The Diving Bell and the Butterfly), Julian Schnabel was a painter of works sometimes as large as a movie screen. Although a book cannot replicate the experience of seeing these paintings in person, the book spreads the nearly 200 reproductions generously over its thick glossy pages, each receiving a double-page spread, captioned with just title and date. To give a sense of scale, the book occasionally interrupts a series of paintings with a photograph of the work in location. Eight short essays rush to the defense of their subject, so that his early success with collectors and in the medium of film doesn't tarnish reception of his work. Painter David Salle writes: What set his work apart was his use of fragmented, physically demanding surface, which gave his vision of free association a kind of flickering, tentative quality that insists on the materiality of the painting. An expanded time line at the end of the book does the work of biography while the essays provide segues into the work itself: an interview with Schnabel, a meditation on experience by William Gaddis, a survey of Schnabel's monumental surfing paintings and more. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
David Moos is Curator of Contemporary Art at the Art Gallery of Ontario. He served as Curator of Contemporary Art at Birmingham Museum of Art, Alabama. In this position he organized the traveling exhibitions: Jonathan Lasker: Selective Identity, William Wegman: Fashion Photographs, and Radcliff Bailey: the Magic City.

Most helpful customer reviews

8 of 10 people found the following review helpful.
A Monograph in Keeping with a Prodigious Artist's Gifts
By Grady Harp
JULIAN SCHNABEL is a very large scale, hefty book about a hefty artist whose brilliance and contributions to the art world is equally as large - and important. Many people judged his early paintings that incorporated Melmac plates and shards as works that were thumbing his nose at the art world. But following the progress of this artist, that first impression could not have been further from the truth. From the gradual changes in his paintings and the growing sophistication of his exhibitions to the fine films he has created (Before Night Falls, The Diving Bell and the Butterfly, Basquiat, Lou Reed's Berlin) to the current integration of photography and painting - all make strong statements both visually and philosophically.

Schnabel is never less than interesting, even to the toughest of critics. This very excellent book edited by David Moos (and Schnabel!), and with informative essays by Gian Enzo Sperone and Marco Voena covers the spectrum of Schnabel's life from his birth in 1951 to the present. Even the most devoted fan of his artistic output will be impressed with the photographs of exhibitions - with comments scrawled across the pages from Schnabel himself - and with the newest works, including the girls with no eyes series and the stunning Japanese paintings of wispy floating multifaceted figures suspended above an aqueous matrix.

Though there have been many books published about this amazingly gifted artist, few are as complete as this. The quality of reproductions and the depth of information would be difficult to match. A collector item in book form. Grady Harp, July 09

4 of 6 people found the following review helpful.
a book about an art work we have to think about
By Thiago Ribeiro
I bought this book because the is something intellectually exciting in Schnabel's work. Certainly we have something to learn about his paintings. Schnabel goes beyond all the rules we learned about what is and not is art, what can be and can not be done in art. This beautiful and well designed book has a hundred and more great reproductions of his paintings so we can follow his highly personal artistic output. There is some essays too that try, with some success, to shed a light on this unique artistic thought. I recommend specially the reading the texts by David Moos, David Moos & Bruce Fergunson, and David Salle. There is also a very good interview, produced by David Moos & Louise Neri, with the artist exposing his thoughts and beliefs on painting. We may agree or not with him, understand or not, but it's a way to get closer to this powerful art maker.

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